In my first year of teaching, I gave my seniors the assignment to write about an event in their life that made them who they are. I read them all, surprised at what they’d been through, surprised too at the secrets they would trust me with, at what they’d put on paper. Domestic abuse, poverty, illness, one even witnessed a murder – these are the things that boiled under the surface of these people who I laughed with daily, who decorated my room, who sang me happy birthday, who wore me down to eventually have class outside. I had known them eight months already, or I thought I knew them. It wasn’t until April that we had this turning point, and I saw through to the other side. I realized that we are all a little broken. Every single one of us is on the mend. Continue reading
I have read a lot of books this year (124 as of today), some of them amazing, some of them egregiously bad. These are my top five favorite novels I read this year.
On its surface, The Vegetarian by Han Kang is a deeply disturbing story of a woman’s descent into madness. But don’t let the surface fool you. At its core, this novel is about the rules for femininity that confine Korean society. I highly recommend The Vegetarian by Han Kang. It’s astonishing (but tight!) prose and highly significant subject matter would make it the perfect book for readers of literary fiction and maybe even for book clubs that want to push the envelope and spark discussion. Read the rest of my review. Continue reading
“It’s your body, you can treat it as you please. The only area where you’re free to do just as you like. And even that doesn’t turn out how you wanted,” (Kang 182).
On its surface, The Vegetarian by Han Kang is a deeply disturbing story of a woman’s descent into madness. But don’t let the surface fool you. At its core, this novel is about the rules for femininity that confine Korean society.
While The Vegetarian is divided into three sections, each section centers on the main character, Yeong-hye. It is absolutely vital to the novel’s message that the story be told from outside points of view. The first two of these perspectives are male: Yeong-hye’s husband and Yeong-hye’s brother in law.
From her husband’s perspective, Yeong-hye’s first symptom of insanity is that she stops eating or cooking meat, in direct disobedience to her husband and father. This section comes to a head when her father tries to physically force Yeong-hye to eat meat. Yeong-hye resists, and in an act of defiance, she cuts herself with a knife.